Part of my problem may be that the more queries I send,
the fewer agents there are left. For those of you who aren’t on your own query
quest (or who are already published, etc.), there are rules to sending queries:
Rule 1: You can’t query more than one agent in each
agency. If the agent you query thinks your work is right for someone else in
the agency, they pass it on to that agent.
Rule 2: If you’ve been rejected by an agent, you’ve been
rejected by their whole agency for that particular MS.
Rule 3: (This one’s a DUH.) You only query the agents who
are interested in what you’ve written. For me, that’s contemporary YA. So I
only query the agents interested in contemporary YA. If they just say YA, that
counts.
Rule 4: You can send your query to the same agency/agent
again…but not for a long while. Like, a year or more.
I’m feeling the weight of these rules more and more
lately. Why? Not every agency is interested in YA. I came across at least three
today that made no mention of YA, one of which wasn’t even interested in adult
fiction. Have I queried all the agents interested in YA yet? Probably not, but
I have to dig and dig to discover new ones. I started off with the list of
agents I sent my last query, which was a few years ago and (obviously) wasn’t
successful. Once I’d gone through that (short) list, I started using Writer’s
Market’s online tool to find them. Then came Twitter. You follow this agent?
Then maybe you should follow this other agent! THANKS, TWITTER. Even Twitter’s
running out of ideas now. I’m thinking next week I should try Query Tracker to
see what that gets me. I’ve also considered ransacking my YA library and seeing
if the acknowledgements include agents I haven’t already queried.
Still, with queries stats like these
·
1 full request (a few weeks ago with no word
since)
·
1 partial request (a couple of months ago with
no word since)
·
19 rejections
·
65 sent queries (including those already
rejected, those with requests, and the 11 others that I sent over eight weeks
ago that are surely no-reply rejections)
you can see why the publishing future of FOR PARIS, FOR
LOVE is looking bleak. There will come a point when I’ll have to say, “FOR
PARIS, FOR LOVE, you’ve had you try. It’s time to give over this quest to WORLD’S
EDGE.” Am I there now? Maybe not just yet. But soon.
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