I’ve learned so much in the months since summer, but these
last two weeks with Pitch Wars have taught me even more. I want to share these
things with you. Some are serious, some aren’t. Some are about Pitch Wars
itself, while others are about my MS. Some I’ve been thinking about for days
and others I’ll probably stumble upon while I write this. All of them are
important to me and my publishing quest. I may not know the results of Pitch
Wars until Wednesday, but all of these learned things have made this contest
worth it.
MENTOR/MENTEE TORTURE: Pitch Wars is fun for all of us—mentors
and mentees—but it’s also hard on us. On the mentee side, it’s hard to read all
the vague mentor tweets about Pitch Wars. I want to know if I’m in or out. I
want to know if mentors liked my pitch. I want to know if others like my novel
as much as I do. Waiting is torture. And though I can’t speak for the mentors,
their tweets say they’re just as tortured by this process. It’s hard to read
100 or so submissions and choose just one (plus two alternates). It’s hard to
get your top pick when someone else wants it. It’s hard to reject writers who
are good, just not right for you.
WHEN I GROW UP, I WANT TO BE A PITCH WARS MENTOR: Though
it’s probably as hard (though differently) on the mentor side, I love everything
the mentors are doing for us mentees. Some are giving feedback to all their
mentees. Some have said they’ll review the entire MS not just for their first
pick, but also for their two alternates. Some are tossing out words of wisdom
in hopes that we’ll pick them up and use them to polish our novels and get an
agent. I want to help writers the same way these mentors are helping me.
HOW TO WRITE A QUERY: One way mentors have helped me is
their advice about query writing (either via tweets or their blogs). A
successful query, when pitching the novel, talks about the important
character(s), the conflict (what happens), and the stakes (why this is
important to the character/world). With their advice, I pitched a strong query
for this contest. How strong? I won’t know until at least Wednesday.
PASSIVE VOICE & ZOMBIES: One mentor tweeted that
passive voice is bad. I already knew this much. The way to know if you’re using
passive voice? If you can add BY ZOMBIES
to the end of your sentence. I laughed so hard when I read this mentor’s tweet.
I wanted to see just how many passive sentences I could write because I wanted
to use as many by zombies as possible.
I blame this on my friend who forced me to watch The Walking Dead.
SHE FELT: Holy $%&#! I had no idea how many times I’d
used this—and I had no idea how unnecessary it was. It’s one of those Show Not Tell things that teachers were
always talking about, though I don’t remember them ever using this specific
example. Someone reviewing my pitch prior to the contest’s entry date pointed
this out to me. MY FIRST SENTENCE STARTED THIS WAY. I didn’t know. I know now. Yikes.
I’ve since done a purge of she felt
in my MS.
TREAT EVERY SENTENCE LIKE A TWEET: For those of you who
don’t know, each Twitter tweet must be less than or equal to 140 characters.
Twitter is unforgiving about this. At some point, someone decided we mentees
should start tweeting the cool parts of our novels—whether to pass time or to
entertain or to entice agents, I don’t know. Regardless, it was a great game.
Each quote could only be 118 characters (140 characters – 10 characters for #PitchWars
– 10 characters for #coolparts – 2 characters for spaces between the quote and
the hashtages). Each tweet had to be precise and amazing. As I dug through my
MS, I found some sentences that I loved but that had a few too many characters—and
a few too many words. Goodbye, adjectives and adverbs and irrelevant phrases!
Hello, cool tweet! Though of course I don’t have to limit every sentence in my
MS to 128 characters, the premise is sound. Cut the fat. KISS: Keep It Simple
Stupid.
WRITERS HELPING WRITERS: Before this summer, before that
email, before Twitter, I had no idea that I didn’t have to do this alone. I now
know what I’ve missed. There’s a huge community of writers out there and all of
them want to help all the others become better writers and get their novels
published. I can’t say enough how much I love this. I can’t say enough how many
great writers—mentors, mentees, observers—I’ve met during this contest. My
number of followers has nigh doubled in these two weeks, as has the number of
people I’m following. We’re our cheerleaders: cheering each other on and
holding up the pyramid.
NEVER GIVE UP. NEVER SURRENDER. Galaxy Quest, anyone? At
some point this weekend, I’d given up hope that I’d get a mentor. I didn’t receive
page/synopsis requests. I didn’t read any tweets from my mentors that could be
hinting at me or my MS. I was sure I was out. Then came yesterday. One of my
mentors threw out four separate hints about one of their top picks—and any of
those hints could have been about me. ALL OF THEM COULD HAVE BEEN ABOUT ME. The
chances that they were about me? Let’s
not get into that. The point is, I was sure I’d lost…but now, I’m not so sure.
There’s always hope.
FOR THE AGENT, NOT THE WIN. I won’t know until Wednesday
if I’ll have a mentor. Even if I don’t have one, I’m good with that. My goal
for this contest wasn’t to get a mentor (though of course it would be AWESOME
if I did). My goal was to make connections and improve my pitch. My ultimate
goal is to publish my book…and the first major step to doing that is getting an
agent. If I don’t get a mentor, I’ll take my shiny query to one more contest
and see what’s there to learn. After that, I’ll start querying. My novel is
good. I just have to write the right query and find the right agent at the
right time. I CAN DO THIS. You can, too. Want to join me?
I agree wholeheartedly with your post. Before Pitch Wars I had no idea how open and accepting the community is. I love the encouragement everyone is passing around.
ReplyDeleteThank you for putting it into words!